The Superintendence of Rome has made a groundbreaking revelation through its recent excavations, uncovering the long-lost remnants of the Theatrum Neroni. This private theater was commissioned by Emperor Nero in the heart of Rome, Italy. Nero, the fifth Roman emperor and the last of the Julio-Claudian dynasty, held his reign from AD 54 to AD 68.
Nero’s fervent engagement with the arts earned him the title of the “actor-emperor” in ancient texts. He boldly embraced roles as an actor, poet, musician, and even charioteer – activities typically associated with slaves, public performers, and individuals of disrepute, thereby defying conventional norms of his aristocratic peers.
Historical records had hitherto chronicled the Theatrum Neroni primarily through writings penned by luminaries like Pliny the Elder, Suetonius, and Tacitus. The private theater served as Nero’s rehearsal space for his singing performances within the renowned Theatre of Pompey. Moreover, it might have been a pivotal site where Nero witnessed the catastrophic Fire of Rome in AD 64.
Archaeologists embarked on a two-year excavation within the Renaissance-era palazzo della Rovere, leading to the discovery of two structures built using the opus latericium construction technique. These structures overlooked an open courtyard, possibly encircled by a portico.
The first edifice boasts a semicircular design with radial entrances, staircases, and walls reminiscent of the cavea, the tiered seating area in a traditional theater. Notably, the excavation also unveiled marble columns and plaster adorned with gold leaf, potentially originating from the stage’s architectural backdrop known as the Scaenae frons. The second building served utilitarian purposes, housing likely sets and costumes for performances.
This excavation’s significance has been hailed as “exceptional” by officials due to its capacity to illuminate a layer of Roman history spanning from the imperial era to the 15th century. Among the treasures uncovered were glass-colored goblets and fragments of pottery from the 10th century, offering a rare glimpse into an era of Rome’s history often shrouded in mystery.
In conclusion, the Superintendence of Rome’s archaeological efforts have brought forth an enthralling discovery – the resurrection of Emperor Nero’s Theatrum Neroni. This revelation not only enriches our understanding of ancient Roman culture but also provides a unique lens into a lesser-known phase of Rome’s historical narrative.